Old Western Frontier -- the Pervasiveness of the Western Frontier Hero in the American Imagination The heroic American national character and the search for an ungoverned American frontier are fused in the America national imagination. America envisions itself as a wide-open place, rather than a contained place of tradition like Europe. America is seen in the natural cultural mythos as an area of limitless expansion. Thus, there are little consequences

In the fifth place, some English language cinemas compete directly with Hollywood within its own playing field. The sixth and seventh cinema types are interesting, since they attempt to retain a singular identity without external influence. One of these is the cinema that exists entirely within a state-controlled industry, which is often subsidized by the same state. Finally, there are those national cinemas that hold such a specific identity

Indeed, the trajectory of the narrative involves exacting revenge on those who prevented her marriage from taking place. Although the Bride's marital aspirations might suggest that she holds a conservative sensibility, this is far from the case and she is ultimately more aggressive than Jen. While Jen also exhibits physical prowess, her sacrificial gesture at the film's conclusion signifies how she maintains a strong reverence for the Confucian moral code,

The fact that a novel in the sentimental and seduction genre attained such heights of popularity is, in the first instance, evidence its impact and effect on the psyche and minds of the female readers of the novel. As one critic cogently notes: Why a book which barely climbs above the lower limits of literacy, and which handles, without psychological acuteness or dramatic power, a handful of stereotyped characters in

interventionism from the perspective of realism vs. idealism. Realism is defined in relationship to states' national interests whereas idealism is defined in relation to the UN's Responsibility to Protect doctrine -- a doctrine heavily influenced by Western rhetoric over the past decade. By addressing the question of interventionism from this standpoint, by way of a case study of Libya and Syria, a picture of the realistic implications of "humanitarian

Restoration Drama: the Rake as a Symbol of Social Disorder One of the distinctive features of Restoration comedy is the figure of the rake as romantic hero. The image of the rake-hero is of a witty, cynical, calculating, and self-serving man who pursues his own pleasure above all other considerations. Antagonistic to established rules and mores, the rake rejects conventional ideas of virtue, integrity, fidelity, restraint; above all he adopts a